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TOUR DATES
RECENT PROJECTS

SEX EDUCATION
Rubén Avilés (for Netflix) · September, 2023
Editing a promotional campaign for a massive Netflix hit like Sex Education demands flawless execution. Working hand-in-hand with prominent content creator Rubén Avilés to promote the show’s final season, I was tasked with turning high-stakes raw footage into a polished, high-engagement final product.
The project came with a major post-production challenge: a technical mishap during the shoot had left a noticeable dust smudge across the lens. Balancing tight deadlines with Netflix’s strict quality standards, I utilized advanced digital restoration and editing techniques to seamlessly remove the artifact, completely saving the footage without compromising the visual integrity of the campaign.
Through close collaboration with the creator and a sharp focus on detail, we successfully delivered a dynamic, clean, and impactful campaign that matched the vibrant energy of the Netflix global franchise.
L'INFILTRAT
TAOK Project® · December, 2024
In December 2024, I joined forces with TAOK Project, the dance academy founded by renowned dancer Ita Roma, to revolutionize their digital presence. I conceptualized, hosted, and edited 'L'Infiltrat', a highly successful and engaging video series for Instagram Reels and TikTok.
Acting as the creative force both behind and in front of the camera, I developed a unique dynamic format that quickly resonated with the community. The franchise proved so impactful that the academy decided to scale the concept, adapting and exploiting the 'L'Infiltrat' format for their major live shows, competitions, and corporate events. This project highlights my expertise in content strategy, on-camera performance, and creating scalable media formats that drive real audience growth and cross-platform entertainment value.


EL PETIT PRÍNCEP
La Coral Rossinyol i Alimara · March, 2025
Atmosphere and sound are everything in musical theatre. For the stage production of El Petit Príncep, I initially stepped in as the Lighting Designer and Technician, conceptualizing and executing the visual mood to bring this timeless story to life. I designed dynamic lightscapes tailored to the emotional beats of the musical numbers and managed the live console operation during performances.
Demonstrating agility and technical versatility under pressure, I was also tasked with taking over the Sound Engineering just weeks before opening night. I rapidly adapted to the production's needs, managing the complex audio mix, wireless microphones, and live acoustics for both the cast and the choir. This project underscores my ability to handle full-scale AV technical direction and deliver flawless live show execution on short notice.
FROZEN
La Coral Rossinyol i Alimara · May, 2025
Building on a foundation of trust, Coral Rossinyol brought me back onto their team just two months after our first collaboration to serve as the Head Sound Engineer for their production of Frozen: The Musical.
Managing the audio for a world-renowned, song-heavy musical requires meticulous precision. I was fully responsible for the live sound engineering, which included balancing powerful vocal performances, managing a complex setup of wireless microphones for the main cast, and blending the live choir arrangements. My focus was on delivering crystal-clear acoustics and maintaining perfect sonic balance to submerge the audience in the magical atmosphere of the show.


THE ELEMENTS
Institut Vall de Llémena · May, 2025
Designing immersive, large-scale visual experiences requires absolute synchronization between technology and art. For The Elements, a centerpiece show featured at the Raig Festival and commissioned by the Institut Vall de Llémena, I served as the Show Director and Lighting Designer for an ambitious 20-minute live production.
The show fused architectural projection mapping with dynamic lighting environments and atmospheric smoke effects (FX) to translate the power of natural elements into a sensory journey. I was responsible for the artistic direction and technical programming of the lighting fixtures, meticulously cueing the lights and FX to seamlessly complement the video mapping. This project stands as a prime example of my ability to direct complex multimedia shows, manage multi-layered AV tech, and sustain audience engagement in large festival formats.
THE MAYANS
Plus Spain™ · May, 2025
Bringing an explosive, high-energy 5-minute pre-show to life requires masterclass multitasking and absolute control over both art and logistics. For 'The Show', an official project by Plus™ Academy (Plus Spain™), I took the reins as Show Director and Choreographer, commanding a multi-generational cast of dancers that ranged from young children to adults.
My responsibilities went far beyond the choreography. I served as the backbone of the entire event, seamlessly managing Stage Direction, end-to-end Event Production, and On-Site Coordination. From the initial concept to the final cue, I ensured every moving part functioned like clockwork.
To guarantee the project's commercial success, I also spearheaded the promotional campaign and social media strategy. This project perfectly highlights my ability to direct large talent groups, manage high-pressure live entertainment logistics, and run a 360° marketing and production workflow.


LES CAMPANADES 2026
Plus Spain™ · December, 2025
Liveliness, high stakes, and close community connection define the annual New Year’s Eve Gala (Campanadas) by Plus Spain™. This major year-end broadcast brings audiences together through live musical performances, celebrity hosts, and an emotional wrap-up of the year's best moments.
For this milestone edition, I stepped in front of the camera as the Main Host alongside Aina Reyner, delivering a charismatic and engaging live performance. Behind the scenes, my responsibilities were dual-focused: I served as the Lead Editor, crafting all pre-produced video segments and dynamic recaps, and took full charge of the Broadcast Management, ensuring a flawless live stream execution.
The event was a massive success, breaking all previous network records by pulling in over 5,000 live viewers. This project highlights my on-camera talent, my mastery of complex live broadcast logistics, and my ability to drive record-breaking audience engagement.
SOLO (REMAKE)
CIFOG · APRIL, 2026
Bringing a Netflix remake to life requires a sharp eye for detail, seamless logistics, and total creative adaptability. For the film SOLO, commissioned by CIFOG, I stepped into a multi-faceted role, driving the project from the frenzy of the set to the precision of the editing room.
As Assistant Director and Talent Manager, I bridged the gap between vision and execution. I managed on-set dynamics, kept tight shooting schedules on track, and served as the main point of contact for the cast, ensuring the actors were empowered, coordinated, and delivering their best performances under pressure.
Simultaneously, I optimized daily operations as a Production Assistant before transitioning into the post-production phase. As the Editor, I took the raw footage and crafted the final narrative, meticulously shaping the film’s pacing, tension, and emotional core. This project stands as a testament to my ability to lead teams, solve complex creative puzzles, and deliver high-end cinematic results.


PERDUT PER CATALUNYA
Ferran Toledo · April, 2026
When a high-profile content creator needs an urgent, high-stakes launch video, speed must match flawless quality. For the premiere of Ferran Toledo’s new travel and culture series, Perduts per Catalunya (a show dedicated to uncovering the hidden secrets of towns and cities across Catalonia) I was brought in on an emergency basis to handle the tight-deadline post-production.
Stepping in as the complete creative package, I didn't just edit the video under heavy time constraints; I also designed the custom graphics and lower-thirds (rótulos) to elevate the visual identity of the brand, and crafted a high-CTR clickable thumbnail to maximize initial views. Furthermore, I managed the content distribution strategy to ensure a successful multi-platform launch. This project perfectly showcases my agility, my multi-disciplinary design skills, and my ability to deliver top-tier YouTube and social media content under pressure.
YO, ADOLESCENTE (REMAKE)
CIFOG · April, 2026
Managing a feature film remake requires an ironclad operational backbone, especially when coordinating external talent within professional studio spaces. For the remake of Yo, Adolescente, commissioned by CIFOG, I stepped in as Assistant Producer and Logistics Coordinator to spearhead the intensive production prep and shoot hosted at the Plus Spain™ facilities.
Working closely with an incredibly dedicated young cast and crew over an intensive multi-day schedule, I oversaw the entire on-site operations and facilities management. My responsibilities spanned comprehensive set logistics, studio preparation, technical rigging support, and catering to the daily needs of both actors and staff. Embracing modern industry standards, I also developed and executed the project's sustainability plan, minimizing the production's environmental footprint. This project highlights my strengths in high-pressure event logistics, team coordination, and my commitment to eco-friendly production management.


EL REI LLEÓ: FINAL (SHOW)
Escola de Música del Gironès · June, 2026
Taking a production to a prestigious venue like the Auditori de Girona requires elevated artistic vision and flawless technical execution. Following a successful run of The Lion King with the Escola de Música del Gironès, I took on the challenge of directing and staging a high-impact, 20-minute musical adaptation for the academy's grand finale show.
In addition to directing the overall stage blocking and overseeing both sound and lighting design, I stepped up as a core creative force for the choreography. For this special edition, I collaborated hand-in-hand with music producer Biel Enrique to custom-design and choreograph an exclusive, high-energy dance break for one of the main musical numbers. This project perfectly illustrates my ability to collaborate with music professionals, direct multi-disciplinary stage elements, and deliver elite-level live entertainment in high-end cultural venues.
DESTINACIÓ: POL NORD (SHOW)
Plus Spain™ · Desember, 2025
Bringing a Netflix remake to life requires a sharp eye for detail, seamless logistics, and total creative adaptability. For the film SOLO, commissioned by CIFOG, I stepped into a multi-faceted role, driving the project from the frenzy of the set to the precision of the editing room.
As Assistant Director and Talent Manager, I bridged the gap between vision and execution. I managed on-set dynamics, kept tight shooting schedules on track, and served as the main point of contact for the cast, ensuring the actors were empowered, coordinated, and delivering their best performances under pressure.
Simultaneously, I optimized daily operations as a Production Assistant before transitioning into the post-production phase. As the Editor, I took the raw footage and crafted the final narrative, meticulously shaping the film’s pacing, tension, and emotional core. This project stands as a testament to my ability to lead teams, solve complex creative puzzles, and deliver high-end cinematic results.

Descripción
Hey Is Geri! es un artista multidisciplinar nacido en Girona en 2007. Su carrera comenzó en el mundo del teatro musical, participando en producciones como La Bella y la Bestia, Mary Poppins y Annie. En 2025, asume el papel de Mufasa en El Rey León, reafirmando su presencia en los escenarios con un perfil escénico sólido desde muy joven.
Se forma en producción musical en EUMES Academy y en 2023 lanza sus primeras canciones, explorando tanto la producción como la interpretación vocal. En paralelo, inicia su primer tour como DJ: el We Will Rave Tour, una propuesta visual, energética y cargada de ritmos electrónicos. Este tour, activo en 2025, marca el cierre de una etapa que él mismo define como “un plan A que no correspondía con lo que buscaba”.
Con el apoyo de su nuevo management, Kapoom Agency, Hey Is Geri! da paso a una nueva fase creativa donde el enfoque se centra en la exploración artística, la composición propia y un sonido más maduro, manteniendo siempre su esencia vibrante y escénica.
Servicios
1 h - 2 h
Desde 75 euros4 h - 8 h
Desde 25 euros
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Comentarios (2)
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Las clases con Gerard són geniales, se aprenden las coreografias rápido y es muy entregado con lo que hace!
En la pasada Fiesta Mayor tuvimos el placer de contar con la actuación de Hey is Geri. A pesar de que no se congregó un gran número de público, los que estuvimos presentes disfrutamos de una actuación cercana, llena de energía y buen ambiente.
El repertorio fue variado y supo animar en todo momento, con canciones que invitaron a cantar y bailar. El grupo demostró profesionalidad, simpatía y muchas ganas de hacer disfrutar al público, consiguiendo que la velada se convirtiera en un momento muy especial.
Sin duda, una actuación para recordar y un acierto incluirlos en nuestra Fiesta Mayor.